THOSE who try to be artists use, time after time, the matter of their recollections, setting and resetting little coloured memories of men and scenes, rigging up (it may be) some especial friend in the attire of a buccaneer, and decreeing armies to manoeuvre, or murder to be done, on the playground of their youth. But the memories are a fairy gift which cannot be worn out in using. After a dozen services in various tales, the little sunbright pictures of the past still shine in the mind's eye with not a lineament defaced, not a tint impaired. GLUCK UND UNGLUCK WIRD GESANG, if Goethe pleases; yet only by endless avatars, the original re-embodying after each. So that a writer, in time, begins to wonder at the perdurable life of these impressions; begins, perhaps, to fancy that he wrongs them when he weaves them in with fiction; and looking back on them with ever-growing kindness, puts them at last, substantive jewels, in a setting of their own.
One or two of these pleasant spectres I think I have laid. I used one but the other day: a little eyot of dense, freshwater sand, where I once waded deep in butterburrs, delighting to hear the song of the river on both sides, and to tell myself that I was indeed and at last upon an island. Two of my puppets lay there a summer's day, hearkening to the shearers at work in riverside fields and to the drums of the gray old garrison upon the neighbouring hill. And this was, I think, done rightly: the place was rightly peopled -and now belongs not to me but to my puppets - for a time at least.
In time, perhaps, the puppets will grow faint; the original memory swim up instant as ever; and I shall once more lie in bed, and see the little sandy isle in Allan Water as it is in nature, and the child (that once was me) wading there in butterburrs; and wonder at the instancy and virgin freshness of that memory; and be pricked again, in season and out of season, by the desire to weave it into art.
There is another isle in my collection, the memory of which besieges me. I put a whole family there, in one of my tales; and later on, threw upon its shores, and condemned to several days of rain and shellfish on its tumbled boulders, the hero of another.
The ink is not yet faded; the sound of the sentences is still in my mind's ear; and I am under a spell to write of that island again.
The little isle of Earraid lies close in to the south-west corner of the Ross of Mull: the sound of Iona on one side, across which you may see the isle and church of Columba; the open sea to the other, where you shall be able to mark, on a clear, surfy day, the breakers running white on many sunken rocks. I first saw it, or first remembered seeing it, framed in the round bull's-eye of a cabin port, the sea lying smooth along its shores like the waters of a lake, the colourless clear light of the early morning ****** plain its heathery and rocky hummocks. There stood upon it, in these days, a single rude house of uncemented stones, approached by a pier of wreckwood. It must have been very early, for it was then summer, and in summer, in that latitude, day scarcely withdraws;but even at that hour the house was ****** a sweet smoke of peats which came to me over the bay, and the bare-legged daughters of the cotter were wading by the pier. The same day we visited the shores of the isle in the ship's boats; rowed deep into Fiddler's Hole, sounding as we went; and having taken stock of all possible accommodation, pitched on the northern inlet as the scene of operations. For it was no accident that had brought the lighthouse steamer to anchor in the Bay of Earraid. Fifteen miles away to seaward, a certain black rock stood environed by the Atlantic rollers, the outpost of the Torran reefs. Here was a tower to be built, and a star lighted, for the conduct of seamen. But as the rock was small, and hard of access, and far from land, the work would be one of years; and my father was now looking for a shore station, where the stones might be quarried and dressed, the men live, and the tender, with some degree of safety, lie at anchor.
I saw Earraid next from the stern thwart of an Iona lugger, Sam Bough and I sitting there cheek by jowl, with our feet upon our baggage, in a beautiful, clear, northern summer eve. And behold!
there was now a pier of stone, there were rows of sheds, railways, travelling-cranes, a street of cottages, an iron house for the resident engineer, wooden bothies for the men, a stage where the courses of the tower were put together experimentally, and behind the settlement a great gash in the hillside where granite was quarried. In the bay, the steamer lay at her moorings. All day long there hung about the place the music of chinking tools; and even in the dead of night, the watchman carried his lantern to and fro in the dark settlement and could light the pipe of any midnight muser. It was, above all, strange to see Earraid on the Sunday, when the sound of the tools ceased and there fell a crystal quiet.
All about the green compound men would be sauntering in their Sunday's best, walking with those lax joints of the reposing toiler, thoughtfully smoking, talking small, as if in honour of the stillness, or hearkening to the wailing of the gulls. And it was strange to see our Sabbath services, held, as they were, in one of the bothies, with Mr. Brebner reading at a table, and the congregation perched about in the double tier of sleeping bunks;and to hear the singing of the psalms, "the chapters," the inevitable Spurgeon's sermon, and the old, eloquent lighthouse prayer.
