"Here are not women enough. Amelia and Agatha may do for Maria and me, but here is nothing for your sister, Mr. Crawford."
Mr. Crawford desired _that_ might not be thought of: he was very sure his sister had no wish of acting but as she might be useful, and that she would not allow herself to be considered in the present case.
But this was immediately opposed by Tom Bertram, who asserted the part of Amelia to be in every respect the property of Miss Crawford, if she would accept it.
"It falls as naturally, as necessarily to her," said he, "as Agatha does to one or other of my sisters. It can be no sacrifice on their side, for it is highly comic."
A short silence followed. Each sister looked anxious; for each felt the best claim to Agatha, and was hoping to have it pressed on her by the rest. Henry Crawford, who meanwhile had taken up the play, and with seeming carelessness was turning over the first act, soon settled the business.
"I must entreat Miss _Julia_ Bertram," said he, "not to engage in the part of Agatha, or it will be the ruin of all my solemnity. You must not, indeed you must not" (turning to her). "I could not stand your countenance dressed up in woe and paleness. The many laughs we have had together would infallibly come across me, and Frederick and his knapsack would be obliged to run away."
Pleasantly, courteously, it was spoken; but the manner was lost in the matter to Julia's feelings.
She saw a glance at Maria which confirmed the injury to herself: it was a scheme, a trick; she was slighted, Maria was preferred; the smile of triumph which Maria was trying to suppress shewed how well it was understood; and before Julia could command herself enough to speak, her brother gave his weight against her too, by saying, "Oh yes! Maria must be Agatha. Maria will be the best Agatha. Though Julia fancies she prefers tragedy, I would not trust her in it. There is nothing of tragedy about her. She has not the look of it. Her features are not tragic features, and she walks too quick, and speaks too quick, and would not keep her countenance.
She had better do the old countrywoman: the Cottager's wife; you had, indeed, Julia. Cottager's wife is a very pretty part, I assure you. The old lady relieves the high-flown benevolence of her husband with a good deal of spirit.
You shall be Cottager's wife."
"Cottager's wife!" cried Mr. Yates. "What are you talking of? The most trivial, paltry, insignificant part; the merest commonplace; not a tolerable speech in the whole.
Your sister do that! It is an insult to propose it.
At Ecclesford the governess was to have done it.
We all agreed that it could not be offered to anybody else.
A little more justice, Mr. Manager, if you please.
You do not deserve the office, if you cannot appreciate the talents of your company a little better."
"Why, as to _that_, my good friend, till I and my company have really acted there must be some guesswork; but I mean no disparagement to Julia. We cannot have two Agathas, and we must have one Cottager's wife; and I am sure I set her the example of moderation myself in being satisfied with the old Butler. If the part is trifling she will have more credit in ****** something of it; and if she is so desperately bent against everything humorous, let her take Cottager's speeches instead of Cottager's wife's, and so change the parts all through; _he_ is solemn and pathetic enough, I am sure. It could make no difference in the play, and as for Cottager himself, when he has got his wife's speeches, _I_ would undertake him with all my heart."
"With all your partiality for Cottager's wife," said Henry Crawford, "it will be impossible to make anything of it fit for your sister, and we must not suffer her good-nature to be imposed on. We must not _allow_ her to accept the part. She must not be left to her own complaisance. Her talents will be wanted in Amelia.
