Nothing, I think, more enforces the illusion of Southern Europe in Quebec than the Sunday-night promenading on Durham Terrace. This is the ample space on the brow of the cliff to the left of the citadel, the noblest and most commanding position in the whole city, which was formerly occupied by the old castle of Saint Louis, where dwelt the brave Count Frontenac and his splendid successors of the French regime. The castle went the way of Quebec by fire some forty years ago, and Lord Durham leveled the site and made it a public promenade. A stately arcade of solid masonry supports it on the brink of the rock, and an iron parapet incloses it; there are a few seats to lounge upon, and some idle old guns for the children to clamber over and play with. A soft twilight had followed the day, and there was just enough obscurity to hide from a willing eye the Northern and New World facts of the scene, and to bring into more romantic relief the citadel dark against the mellow evening, and the people gossiping from window to window across the narrow streets of the Lower Town. The Terrace itself was densely thronged, and there was a constant coming and going of the promenaders, who each formally paced back and forth upon the planking for a certain time, and then went quietly home, giving place to the new arrivals. They were nearly all French, and they were not generally, it seemed, of the first fashion, but rather of middling condition in life; the English being represented only by a few young fellows and now and then a redfaced old gentleman with an Indian scarf trailing from his hat. There were some fair American costumes and faces in the crowd, but it was essentially Quebecian. The young girls walking in pairs, or with their lovers, had the true touch of provincial unstylishness, the young men the ineffectual excess of the second-rate Latin dandy, their elders the rich inelegance of a bourgeoisie in their best. A few, better-figured avocats or notaires (their profession was as unmistakable as if they had carried their well-polished brass doorplates upon their breasts) walked and gravely talked with each other. The non-American character of the scene was not less vividly marked in the fact that each person dressed according to his own taste and frankly indulged private preferences in shapes and colors. One of the promenaders was in white, even to his canvas shoes; another, with yet bolder individuality, appeared in perfect purple. It had a strange, almost portentous effect when these two startling figures met as friends and joined each other in the promenade with linked arms; but the evening was already beginning to darken round them, and presently the purple comrade was merely a sombre shadow beside the glimmering white.
The valleys and the heights now vanished; but the river defined itself by the varicolored lights of the ships and steamers that lay, dark, motionless bulks, upon its broad breast; the lights of Point Lewis swarmed upon the other shore; the Lower Town, two hundred feet below them, stretched an alluring mystery of clustering roofs and lamplit windows and dark and shining streets around the mighty rock, mural-crowned. Suddenly a spectacle peculiarly Northern and characteristic of Quebec revealed itself; a long arch brightened over the northern horizon; the tremulous flames of the aurora, pallid violet or faintly tinged with crimson, shot upward from it, and played with a weird apparition and evanescence to the zenith. While the strangers looked, a gun boomed from the citadel, and the wild sweet notes of the bugle sprang out upon the silence.
Then they all said, "How perfectly in keeping everything has been!" and sauntered back to the hotel.
The Colonel went into the office to give the clerk another turn on the rack, and make him confess to a hidden apartment somewhere, while Isabel left her husband to Mrs. Ellison in the parlor, and invited Miss Kitty to look at her coop in the fifth story. As they approached, light and music and laughter stole out of an open door next hers, and Isabel, distinguishing the voices of the theatrical party, divined that this was the sick-chamber, and that they were again cheering up the afflicted member of the troupe. Some one was heard to say, "Well, 'ow do you feel now, Charley?" and a sound of subdued swearing responded, followed by more laughter, and the twanging of a guitar, and a snatch of song, and a stir of feet and dresses as for departure.
The two listeners shrank together; as women they could not enjoy these proofs of the jolly camaraderie existing among the people of the troupe.
They trembled as before the merriment of as many light-hearted, careless, good-natured young men: it was no harm, but it was dismaying; and, "Dear!" cried Isabel, "what shall we do?"
"Go back," said Miss Ellison, boldly, and back they ran to the parlor, where they found Basil and the Colonel and his wife in earnest conclave.
The Colonel, like a shrewd strategist, was ****** show of a desperation more violent than his wife's, who was thus naturally forced into the attitude of moderating his fury.
"Well, Fanny, that's all he can do for us; and I do think it 's the most outrageous thing in the world! It 's real mean!"
Fanny perceived a bold parody of her own denunciatory manner, but just then she was obliged to answer Isabel's eager inquiry whether they had got a room yet. "Yes, a room," she said, "with two beds. But what are we to do with one room? That clerk--I don't know what to call him"--("Call him a hotel-clerk, my dear; you can't say anything worse,") interrupted her husband)--"seems to think the matter perfectly settled."
"You see, Mrs. March," added the Colonel, "he's able to bully us in this way because he has the architecture on his side. There isn't another room in the house."
