WHAT CULTURE DID FOR IT
There was at this time in the Senate of the United States an eminent and respected gentleman, scholarly, orderly, honorable, and radical,--the fit representative of a scholarly, orderly, honorable, and radical Commonwealth. For many years he had held his trust with conscious rectitude, and a slight depreciation of other forms of merit; and for as many years had been as regularly returned to his seat by his constituency with equally conscious rectitude in themselves and an equal skepticism regarding others.
Removed by his nature beyond the reach of certain temptations, and by circumstances beyond even the knowledge of others, his social and political integrity was spotless. An orator and practical debater, his refined tastes kept him from personality, and the public recognition of the complete unselfishness of his motives and the magnitude of his dogmas protected him from scurrility. His principles had never been appealed to by a bribe; he had rarely been approached by an emotion.
A man of polished taste in art and literature, and possessing the means to gratify it, his luxurious home was filled with treasures he had himself collected, and further enhanced by the stamp of his appreciation. His library had not only the elegance of adornment that his wealth could bring and his taste approve, but a certain refined negligence of habitual use, and the easy disorder of the artist's workshop. All this was quickly noted by a young girl who stood on its threshold at the close of a dull January day.
The card that had been brought to the Senator bore the name of "Carmen de Haro"; and modestly in the right hand corner, in almost microscopic script, the further description of herself as "Artist."
Perhaps the picturesqueness of the name, and its historic suggestion caught the scholar's taste, for when to his request, through his servant, that she would be kind enough to state her business, she replied as frankly that her business was personal to himself, he directed that she should be admitted. Then entrenching himself behind his library table, overlooking a bastion of books, and a glacis of pamphlets and papers, and throwing into his forehead and eyes an expression of utter disqualification for anything but the business before him, be calmly awaited the intruder.
She came, and for an instant stood, hesitatingly, framing herself as a picture in the door. Mrs. Hopkinson was right,--she had "no style," unless an original and half-foreign quaintness could be called so. There was a desperate attempt visible to combine an American shawl with the habits of a mantilla, and it was always slipping from one shoulder, that was so supple and vivacious as to betray the deficiencies of an education in stays. There was a cluster of black curls around her low forehead, fitting her so closely as to seem to be a part of the seal-skin cap she wore.
Once, from the force of habit, she attempted to put her shawl over her head and talk through the folds gathered under her chin, but an astonished look from the Senator checked her. Nevertheless, he felt relieved, and rising, motioned her to a chair with a heartiness he would have scarcely shown to a Parisian toilleta.
And when, with two or three quick, long steps, she reached his side, and showed, a frank, innocent, but strong and determined little face, feminine only in its flash of eye and beauty of lip and chin curves, he put down the pamphlet he had taken up somewhat ostentatiously, and gently begged to know her business.
I think I have once before spoken of her voice,--an organ more often cultivated by my fair country-women for singing than for speaking, which, considering that much of our practical relations with the *** are carried on without the aid of an opera score, seems a mistaken notion of theirs,--and of its sweetness, gentle inflexion, and musical emphasis. She had the advantage of having been trained in a musical language, and came of a race with whom catarrhs and sore throats were rare. So that in a few brief phrases she sang the Senator into acquiescence as she imparted the plain libretto of her business,--namely, a "desire to see some of his rare engravings."
Now the engravings in question were certain etchings of the early Great Apprentices of the art, and were, I am happy to believe, extremely rare. From my unprofessional view they were exceedingly bad,--showing the mere genesis of something since perfected, but dear, of course, to the true collector's soul. I don't believe that Carmen really admired them either. But the minx knew that the Senator prided himself on having the only "pot-hooks" of the great "A," or the first artistic efforts of "B,"--I leave the real names to be filled in by the connoisseur,--and the Senator became interested. For the last year, two or three of these abominations had been hanging in his study, utterly ignored by the casual visitor. But here was appreciation! "She was," she added, "only a poor young artist, unable to purchase such treasures, but equally unable to resist the opportunity afforded her, even at the risk of seeming bold, or of obtruding upon a great man's privacy," &c. &c.
This flattery, which, if offered in the usual legal tender of the country, would have been looked upon as counterfeit, delivered here in a foreign accent, with a slightly tropical warmth, was accepted by the Senator as genuine. These children of the Sun are so impulsive! We, of course, feel a little pity for the person who thus transcends our standard of good taste and violates our conventional canon,--but they are always sincere. The cold New Englander saw nothing wrong in one or two direct and extravagant compliments, that would have insured his visitor's early dismissal if tendered in the clipped metallic phrases of the Commonwealth he represented.
