Cowperwood was enchanted. He kept the proposed tryst with eagerness and found her all that he had hoped. She was sweeter, more colorful, more elusive than anybody he had ever known. In their charming apartment on the North Side which he at once engaged, and where he sometimes spent mornings, evenings, afternoons, as opportunity afforded, he studied her with the most critical eye and found her almost flawless. She had that boundless value which youth and a certain insouciance of manner contribute. There was, delicious to relate, no melancholy in her nature, but a kind of innate sufficiency which neither looked forward to nor back upon troublesome ills. She loved beautiful things, but was not extravagant; and what interested him and commanded his respect was that no urgings of his toward prodigality, however subtly advanced, could affect her. She knew what she wanted, spent carefully, bought tastefully, arrayed herself in ways which appealed to him as the flowers did.
His feeling for her became at times so great that he wished, one might almost have said, to destroy it--to appease the urge and allay the pull in himself, but it was useless. The charm of her endured. His transports would leave her refreshed apparently, prettier, more graceful than ever, it seemed to him, putting back her ruffled hair with her hand, mouthing at herself prettily in the glass, thinking of many remote delicious things at once.
"Do you remember that picture we saw in the art store the other day, Algernon?" she would drawl, calling him by his second name, which she had adopted for herself as being more suited to his moods when with her and more pleasing to her. Cowperwood had protested, but she held to it. "Do you remember that lovely blue of the old man's coat?" (It was an "Adoration of the Magi.") "Wasn't that be-yoot-i-ful?"
She drawled so sweetly and fixed her mouth in such an odd way that he was impelled to kiss her. "You clover blossom," he would say to her, coming over and taking her by the arms. "You sprig of cherry bloom. You Dresden china dream."
"Now, are you going to muss my hair, when I've just managed to fix it?"
The voice was the voice of careless, genial innocence--and the eyes.
"Yes, I am, minx."
"Yes, but you mustn't smother me, you know. Really, you know you almost hurt me with your mouth. Aren't you going to be nice to me?"
"Yes, sweet. But I want to hurt you, too."
"Well, then, if you must."
But for all his transports the lure was still there. She was like a butterfly, he thought, yellow and white or blue and gold, fluttering over a hedge of wild rose.
In these intimacies it was that he came quickly to understand how much she knew of social movements and tendencies, though she was just an individual of the outer fringe. She caught at once a clear understanding of his social point of view, his art ambition, his dreams of something better for himself in every way. She seemed to see clearly that he had not as yet realized himself, that Aileen was not just the woman for him, though she might be one. She talked of her own husband after a time in a tolerant way--his foibles, defects, weaknesses. She was not unsympathetic, he thought, just weary of a state that was not properly balanced either in love, ability, or insight. Cowperwood had suggested that she could take a larger studio for herself and Harold--do away with the petty economies that had hampered her and him--and explain it all on the grounds of a larger generosity on the part of her family. At first she objected; but Cowperwood was tactful and finally brought it about. He again suggested a little while later that she should persuade Harold to go to Europe. There would be the same ostensible reason--additional means from her relatives.
Mrs. Sohlberg, thus urged, petted, made over, assured, came finally to accept his liberal rule--to bow to him; she became as contented as a cat. With caution she accepted of his largess, and made the cleverest use of it she could. For something over a year neither Sohlberg nor Aileen was aware of the intimacy which had sprung up.
Sohlberg, easily bamboozled, went back to Denmark for a visit, then to study in Germany. Mrs. Sohlberg followed Cowperwood to Europe the following year. At Aix-les-Bains, Biarritz, Paris, even London, Aileen never knew that there was an additional figure in the background. Cowperwood was trained by Rita into a really finer point of view. He came to know better music, books, even the facts. She encouraged him in his idea of a representative collection of the old masters, and begged him to be cautious in his selection of moderns. He felt himself to be delightfully situated indeed.
The difficulty with this situation, as with all such where an individual ventures thus bucaneeringly on the sea of ***, is the possibility of those storms which result from misplaced confidence, and from our built-up system of ethics relating to property in women. To Cowperwood, however, who was a law unto himself, who knew no law except such as might be imposed upon him by his lack of ability to think, this possibility of entanglement, wrath, rage, pain, offered no particular obstacle. It was not at all certain that any such thing would follow. Where the average man might have found one such liaison difficult to manage, Cowperwood, as we have seen, had previously entered on several such affairs almost simultaneously; and now he had ventured on yet another; in the last instance with much greater feeling and enthusiasm. The previous affairs had been emotional makeshifts at best--more or less idle philanderings in which his deeper moods and feelings were not concerned. In the case of Mrs. Sohlberg all this was changed. For the present at least she was really all in all to him. But this temperamental characteristic of his relating to his love of women, his artistic if not emotional subjection to their beauty, and the mystery of their personalities led him into still a further affair, and this last was not so fortunate in its outcome.
